Jaime Jo Wright. The House on Foster Hill. Minneapolis, MN: Bethany House Publishers, 2017.
I’m not the person to watch scary movies, but I oftentimes enjoy reading Christian fiction with mystery or suspense elements. Somehow, these authors typically make the genre more accessible and I’m generally fine reading these stories.
In The House on Foster Hill, Kaine Prescott returns to her ancestral family’s hometown in Wisconsin to leave behind her tragic past in California. She hopes by restoring a historical estate, she can finally grieve and recover from the murder of her husband and the impact that event had on her life. She fears that her past career helping abused women had finally caught up with her in California. Unfortunately, the house has its own past and is in terrible condition when Kaine arrives. Ivy Thorpe had her own encounters in the house on Foster Hill a century before. An unknown woman is found murdered on the property and it takes Ivy and a group of townspeople to solve the mystery of what happened within the house. Placing their own lives at risk across the years, Kaine and Ivy discover the house’s secrets and find their lives will never be the same.
Bridging two periods within the town, The House on Foster Hill presents a high-stakes mystery that will delight fans of this genre of stories. Ms. Wright’s debut novel offers plenty of suspense that ties together generations of people from a small Wisconsin town.
Overall, I thought The House on Foster Hill offered a different kind of story from what I typically read. In seeing other reviews about the book, I was expecting an easy five-start review on my end. However, I had several issues with the novel. In reading the Kindle version, I expected the book to end at many different points, but I was rarely anywhere near the end of the book. It could have used some significant editing, particularly in its plot development, even though the writing style of the author was pretty good. Some of the characters were stronger than others, with Ivy Thorpe coming across as one of the best-developed in the novel. Also, I was rather disappointed to see minimal historical detail in the historical sections of the book. I would much prefer to see a stronger plot that is exclusively contemporary or historical, as very few authors can successfully pull off both within a single novel. Lastly, I found this book to be much creepier than almost any other Christian mystery/suspense novel that I have previously read. While I could see other readers really enjoying that aspect of the story, I found it somewhat off-putting and it made it a struggle to actually finish the book.
Fans of high-stakes mystery and suspense novels may find The House on Foster Hill to be worth reading. While the book does have Christian elements, readers who identify more closely with other forms of Christian fiction (contemporary or historical) may find this book to be creepier than they prefer for light reading.
Special thanks to NetGalley and Bethany House Publishers for the advanced copy of The House on Foster Hill!
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